utorak, 22. siječnja 2013.

Queenie May's Vintage Skincare






"Marilyn Monroe maintained diamonds are a girl’s best friend and Coco Chanel is said to have created the little black dress, but for me true vintage glamour starts with flawless skin. In this modern age of parabens, silicones, and ingredients with names as long as your arm, the battle for the perfect face can be a minefield." - Lulu Brandy










As many of you already now I'm an avid Avène user for many many years - and I thought I would never use another brand again for any of my skin care needs. Avène is a range that combines pharmaceutical ethics with cosmetic appeal, has its basis in dermatology treatments and was designed specifically for the needs of sensitive, intolerant and allergy prone skin. 
All Avene products are based on the soothing and non-irritating properties of Avene Thermal Spring Water. Lately I also used Dr. Hauschka!

First, most skin care products on the market today are using ingredients that are relatively new inventions.
I'm a student of Pharmacy so I pretty much always look at the ingredients in skincare and cosmetics. 
Behind the glossy images in magazines, on television and web there lies a dangerous secret. Most skincare products, even the so called “natural” ones, contain many of the same harsh chemicals used in industrial processes.
Nowadays, all one has to do is walk down the beauty aisles of any store to see that there are literally thousands of products out there for every imaginable purpose you could think of! Take for example cleansers: they may be plain soap, foaming, for sensitive skin, for oily skin, for dry skin, for combination skin, cream cleansers, cleansing wipes, cleansers with added vitamins, cleansers with exfoliating beads...) You get the idea! And that's just cleansing! What about day lotions, night creams, repairing serums, pimple treatments, eye creams, exfoliating scrubs, masks, toners, etc. etc. etc.! It's overwhelming, confusing, and can be expensive...

I have always had an interest in skincare from the past times.
How women cared for themselves in the early 1900s? The key word: Simply!

I know that sounds crazy but oil works with the skin and women have used oil to cleanse for hundreds of years. 

Why vintage skincare? Continue reading and you will get the answers...

To be honest I was really surprised in a positive way, when I received an email from Queenie May last month. Thank you so much again! She asked if I would try out their new skincare set: Cold Cream to cleanse and Vanishing Cream to moisturise - simple but satisfying. But... Who is Queenie May?

Read her interesting story here: http://www.queeniemay.com/about-queenie-may.html

The real Queenie May's photo has been found. She was a showgirl in the early 1900s.

Our moms, aunts, great aunts and grandmothers also swear by this stuff! They said that is what they used to keep their beautiful flawless skin, before all this new age stuff came along.



Remember cold cream? 

The concept of cold cream is quite ancient. Credit for the invention is usually given to Galen, a second century Greek physician who developed an emulsion of beeswax, oil, rose petals, and water. The cream was designed to moisturize and condition the face, and to help remove the harsh makeup of the period. In some regions, cold cream is called “cream of Galen” or “Galen's cream” in a reference to this; the “cold” in cold cream comes from the cool, refreshing feeling that it leaves behind.




It’s wonderful for removing makeup! After I wipe it off with inexpensive baby wipes, I drape a hot washcloth on my face for 30 seconds or so, then wipe again, removing the rest of the cream and gently exfoliating my very sensitive skin. 

Cold cream is quite heavy in consistency, so people with oily skin will probably not be great fans, as it will feel very “greasy” to them, though they can still use it as a makeup remover. 





„Is a return to a more glamorous time.

Before cosmetics companies confused us with all their potions  women had a skincare ritual which was passed down from mother to daughter.



Queenie May wants to make skincare glamorous again.

With our pretty, romantic jars and our luxurious formulae, we want women to enjoy their skincare routine.

Cold Cream - for cleansing and removing makeup.

Vanishing Cream - a luxurious moisturiser.



Our products are made from recipes of the 1930s and our ingredients are 100% pure and natural.“




Vanishing creams get their name from the fact that they seemed to disappear when spread onto the skin. The first commercial vanishing cream, ‘Hazeline Snow’ was introduced by Burroughs Wellcombe in 1892. Pond’s, whose name is most closely linked with vanishing creams, began production in 1904.
Vanishing Creams had the advantage of being non-greasy which made them suitable for use during the day and by women with oily skin. In addition to keeping powder on the face, they were also advertised as protecting the skin from the elements such as ‘chapping winds’ and ‘sooty breezes’. The presence of a humectant was also was used as the basis for claims that they helped reduce moisture loss from dry skin.
As vanishing creams had a semi-matt finish, they could also be used without powder to reduce the effects of oiliness and shine on skin.




This is a great primer for powder foundation.  I've been using this product for about a week now, and I've noticed a difference already. It really leaves my skin feeling matte, taking away that combination-to-oily feeling.
The first thing I noticed about this moisturiser was indeed how light it was. It wasn't thick and greasy, but it wasn't runny and watery either. The product is a bright white colour, it doesn't have any 'bits' in it's just nice and smooth. It was easy to rub onto my face and it absorbed nicely. It didn't leave my face looking greasy or shiny, in fact quite the opposite effect. My skin felt lovely and soft and smooth, it was lovely. 







Bringing out the glamour in every girl!


My skin afterwards felt instantly brighter, and it was left really soft and feeling very clean. I love this range and would really recommend these products. You can buy these items from Queenie, here is the link:


With love,

Idda van Munster


nedjelja, 30. prosinca 2012.

December 2012 in pictures! Cheers to 2013!


Hello dear readers,

Can you believe it is the new year already? 
My 2012 has been an incredible year. Truly. It has had its highs and lows and some amazing memories. Everyone talks about new year resolutions but I’m not going to have one. I never stick to it so what’s the point? I’m just going to aim to be happy and take every day as it comes. I wish you good health, happiness, and success in the coming year and always. The words for next year are balance, harmony, family relations and love. Enjoy the quality of your surroundings and the wealth that all you love can bring you. Dear friends and fans, thank you very much for your support during this year 2012.

Wish you a HAPPY NEW YEAR 2013 filled with all that is beautiful!

HAPPY NEW YEAR - my love and I wish all the best to you all!



My December in photos:

Tea Time with my lovely ladies.
My new 1930's evening bag.

In love with my new bag. It’s probably early mid1950s – early 1960s.
My look for the MAGAZINE Gracija and Max Factor vintage style workshop - 20th December 2012. 
What I wear when it's cold outside - it's really hard to find beautiful/elegant vintage boots.
Is it for you hard to find vintage stuff for winter?


Frost - every morning.
My winter look inspiration.
Another one winter look - 1930's inspiration.
Happy 12.12.2012. - I love this natural makeup look for every day.
Sunny cold winter day - a walk with my mother.


Had a great time during the radio interview at radio FBiH FM 95.7
Read so many wonderful books.
What's the best way to start your day? Every morning I enjoy my cup of tea/coffee with a good book.
My Max Factor workshop at Vapiano Sarajevo.






Flyer for my Vintage Styling Workshop at Cafe Zlatna Ribica - designed by my boyfriend.
The workshop was incredible - wow, so many beautiful faces.




My friend Ana-Marija, my brother & me.



Sending love as always,

Idda van Munster

ponedjeljak, 17. prosinca 2012.

Hats! A modern day milliner: Anya Caliendo


I've been wearing hats as long as I can remember. As a kid, I was always running around with something fun and crazy on my head. As I got older I started collecting vintage hats and clothing, it was a natural progression I guess.
I'm not sure, but I think Christian Dior said this: "I think that in town you cannot be really dressed without a hat. It is really the completion of your outfit and in another way, it is very often the best way to show your personality. It is easier to express yourself sometimes with your hat than it is with your clothes. Hats are important!" And that he says a hat is one of the best ways to show your personality. And he goes on to say that hats are the quintessence of femininity and are such an efficient weapon of coquetry!
My authentic vintage netting hat collection is growing slowly.
I added a wonderful mini top to my collection last month - and guess - it was a gift from my dear Anya Caliendo from New York!!! But who is Anya? If you want to know - please continue reading...

Authentic vintage hats. The one on the bottom left is made by my lovely lady Dolly von Sucre - from authentic vintage materials.
I can't tell you how much I enjoyed opening the beautiful package.  I felt like it was my birthday! You do such beautiful work Anya!
It's really pleasure to own and wear.


I love her hat boxes too!!!




She is a milliner.

A milliner.
A word that is not known by many people nowadays, or maybe just a forgotten one.
A milliner is a designer of women’s hats.

This term was originally used in the 18th-century to define the travelling haberdashers from Milan, the so called “millaners”, who made the finest womenswear of the time.

Every village of England used to have a milliner, until the 1960's when the attention on voluminous hair made people forget about hats.
Headwear for women began in the Middle Ages, first as a necessity as it was ordered by the Church to cover their hair. Later head coverings turned into a status symbol, according to the type of hat worn as well as a fashionable accessorize.
The use of hats became less popular during the Second World War, for practical reasons and since then hats have slowly lost importance in the fashion panorama.
Recently, thanks to various royal weddings and the advent of extravagant pop stars the hat has made a new debut on the catwalk and milliner is being rediscovered as a profession.

Russian born, Anya Caliendo is the epitome of old world romanticism with everything from her obsession with  black and white photos of royal families to her chosen profession of couture millinery.

Her atelier must be filled to the brim (pun intended) with treasures destined to be worn by the city’s most elegant women.  In addition to making everyday wear hats she also designs for theatrical productions, fashion photoshoots and runway shows.

Couture milliner Anya Caliendo runs her own atelier in New York, having learned the art of millinery in London from two legendary names in the field, Rose Cory and Stephen Jones. She worked on the creation of hats for the collections of Jason Wu spring/summer 2010, Donna Karan spring/summer 2010, Kinder Aggugini spring/summer 2010, Comme des Garçons spring/summer 2010 and John Galliano spring/summer 2010. Her fabulous hats have graced the pages of renowned fashion magazines, such as this month’s Vogue Mexico.

I have never seen hats more beautiful and more elegant and more Ooo La La than Anya's. 





Here are some photos (me wearing the hat made by her, the costume is created by me). Here is a short interview I've done with a modern day milliner with old world beauty. Enjoy!


Idda: What is your unique story?


Anya: My story is really not that unique at all. Just like so many immigrants before me, I came to the US in search of American Dream. I landed in New York almost 12 years ago without having a slightest idea where I will end up being or how my life will turn out to be in a new Country. I had 20 dollars in my pocket and a wagon of stubborn certainty that if I will work hard I will succeed. I fell in love with Fashion and when the time came to choose direction, I chose millinery - hat designs. I spent years trying to master my passion into perfection. I was lucky to have the best teachers one can possibly dream of. In 2008 I registered my brand "Anya Caliendo. Couture Millinery Atelier" and in 2010, only 2 years later, I opened my own Couture Millinery Atelier where I work and create hats every day. I suppose, I am a lucky girl, but "luck",per say, has very little to do with it because "the harder I work, the luckier I get."





Idda: Where do you get inspiration for your designs?


Anya: I discovered that inspiration is something that lives everywhere I look: in people who surround me, movies, books, theater, rain, cup of coffee, the color of the sky, remote memory that surfaces out unexpectedly out of the corner my mind, old photographs - there is really no limit to the sources of inspiration. All you need to do is open your heart to the world.





Idda: What have been your greatest challenges as a designer?


Anya: There were so many of them! The greatest challenge, I would say, was to learn how to combine design aspect and business aspect of what I do. Add to it learning how to operate a very unique business in the context of modern fashion market, while staying true to my vision and finding my own audience. I have made several mistakes along the way, but I have learned a lot as a result. In the end, each mistake I made contributed to the strong sides of my brand.



Idda: What materials and techniques do you favor?


Anya: I love working with fabrics both traditional and nontraditional. It all depends on the mood of the hat I am creating: some demand pure Italian silk, some favor plastic or aluminium foil, some ask to be gold plated - I always listen to what my hats are whispering to me. When it comes to techniques, I balance traditional and new. Millinery is such a vast field that learning is a constant mode ever present in my work. Whether I am taking new lessons with the masters who work with furs or have a Japanese teacher travel to my Atelier to teach me unique method of preserving fresh flowers. While traditional techniques will remain the back bone of millinery, new ones have to be introduced frequently in order for the art of millinery to move forward.



Idda: Any exciting projects for the future?


Anya: Yes and, fortunately, many of them. I love a great challenge. Most of the time it arises out of Collaborations with unbelievably talented people. Right now I am working on creating a very special editorial order for one of the most talented stylists I have ever worked with Sissy Vian. There is also a production of a new Collection which will be very special (can not go into more detail, but it has an amazing destination!). There are collaborations with several magazines, photographers, designers - all at the same time. Nothing is more interesting than this. I am very blessed this way.

Dita Von Teese wearing "Louboutin Lover" by Anya Caliendo Couture Millinery Atelier



PREPARE FOR A TRULY AMAZING JOURNEY AND VISIT ANYA CALIENDO'S FABULOUS COUTURE MILLINERY ATELIER



18 FIRE ISLAND AVENUE,

BABYLON, NY 11702
631-539-7490
TUESDAY - FRIDAY 10 A.M.- 6P.M
SATURDAY 10 A.M.- 4 P.M. 
CLOSED SUNDAYS

Thank you so much for reading!

Sending you love,
Anya Caliendo and Idda van Munster